Posts Taged african-american-masters

New York Times: As a Painter Grows Older, His Creativity Endures

By RACHEL L. SWARNS FEB. 23, 2014

Ed Clark stood silently before the canvas on the floor of his studio. He buy essays online considered the muted morning light, the paint and its promise. Then he pushed a broom across the surface, capturing the hues of daybreak and twilight with each stroke.

He leaned on his personal assistant, who steadied Mr. Clark’s aging body. There was a time when it seemed that nothing could stop him from painting with his push broom, one of his signature innovations. But he is 87 now. After about three hours, he was physically spent.

“When you get older, what you’ve done when you were younger, you research paper can’t do anymore,” Mr. Clark said last week, as he sank slowly into his easy chair. “That’s just the body getting old. It’s telling me, ‘You won’t be here for long.’ ”

Then he grinned: “But I don’t intend to go.”

N’Namdi Gallery Opens a New Location in Miami

Michigan Avenue: Home Tour, An Artful Abode.

An Artistic Encounter

By Lisa Skolnik

James and Mary Bell know buy essays online what they like when they see it. When they met artist William Tolliver in Los Angeles 25 years ago, they were immediately drawn to his work— but didn’t buy an original piece until several years later

At the time, James was an executive with Rockwell International Corporation and Mary was a business analyst with TRW. Her best friend, Carmen N’Namdi, had opened a gallery in Detroit with her husband, George, who urged the Bells to buy works by African American masters. “[George] meant the research paper masters, like Romare Bearden, Artis Lane or Jacob Lawrence.

We loved the work, but we didn’t have that kind of budget,” says Mary. The Tolliver they did eventually buy inspired them to purchase more of what they term papers liked. “We didn’t start out as collectors,” explains James, who is now Boeing’s corporate president, executive vice president and CFO.

EDWARD CLARK: Master of Abstract Expressionism

By Jenna Bond-Louden

This summer, the Solomon R. Guggenheim Museum is presenting works from their collection in the retrospective Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960. A saturating stroll through the Frank Lloyd Wright-designed building on Museum Mile in New York City, the presentation reflects works selected by former Guggenheim director James Johnson Sweeney as highlighted works and artists of the post-Word War II abstract expressionist movement.

The show illuminates the names of greats including Jackson Pollack, Willem de Kooning, Georges Mathieu, Mark Rothko, and Kenzo Okada. The breadth of artists and the complexity of works require a half-day to view in full, and perhaps two visits to fully consider.

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