Consider This. An Interview with Gregory Coates

For artist Gregory Coates, the definition of painting is never given, and always up for review. Over the last couple of decades, Coates has adopted an ever-growing array of studio practices, embracing a wide range of materials and techniques more traditionally claimed by sculpture, assemblage, and installation. In the following interview, we spoke with him by email about his artistic development, how he selects and uses his materials, his relationship to art history, and his commitment to fostering a more expansive notion of what painting can and should be.

Previous
Previous

Stephen Arboite. Dreamscapes: The Metaphor Has Shifted to Healing

Next
Next

The Long Sweep. A Conversation with Ed Clark about His 60-Plus Years in the Art World